Hedda review – Ibsen meets Downton Abbey in Nia DaCosta’s exotic rendering of classic play
High society in 1950s Britain is the setting in which Tessa Thompson’s free-spirited but manipulative Hedda marries for money. Cue jaded pleasure and absurdity Nia DaCosta, known for her satirical horror Candyman from 2021, has now created an exotic melodrama; it is ridiculous, intense, (…)
Site référencé:
The Guardian (Africa)
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The Guardian (Africa)
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