LSO/Adès review – the mood-boosting musical equivalent of a Sad lamp
Barbican, London Thomas Adès curated and conducted a dazzling concert of contemporary works by Alex Paxton and Poul Ruders, plus his own Aquifer alongside a radiant Sibelius 3 By this point in October there is no escaping the shorter days, lower light and autumn drizzle, but this concert by (…)
Site référencé:
The Guardian (South&CentralAsia)
4534.jpg?width=140&quality=85&auto=format&fit=max&s=dc8856ae7ebcd219c4bcae25a8955f48, 4534.jpg?width=460&quality=85&auto=format&fit=max&s=8c7e4dc2cc574bb3a50e6a91d243bc8d, 4534.jpg?width=700&quality=85&auto=format&fit=max&s=686e6b7bf001ca27dc3e374301c44fc9
The Guardian (South&CentralAsia)
Interstellar’s second life : how Christopher Nolan’s most divisive film became his most loved
20/10/2025
Labour deputy leadership contest may only cause more trouble for Starmer
20/10/2025
Candles, cleaning and cupcakes : how I reclaimed Diwali
20/10/2025
‘Every kind of creative discipline is in danger’ : Lincoln Lawyer author on the dangers of AI
20/10/2025
Trump reposts AI-generated video of plane dumping sludge on No Kings protesters
20/10/2025
‘I was working as a cook when it went to No 1’ : how Norman Greenbaum made Spirit in the Sky
20/10/2025