Shobana Jeyasingh Dance : We Caliban review – postcolonial take on The Tempest is difficult to (…)
York Theatre Royal Jeyasingh’s choreography is well wrought and precise but Caliban’s struggles with servitude and resistance feel adrift amid a sea of ideas Choreographer Shobana Jeyasingh originally moved to the UK in the early 1980s to study Shakespeare, so it’s safe to say she has deeply (…)
Site référencé:
The Guardian (South&CentralAsia)
2003.jpg?width=140&quality=85&auto=format&fit=max&s=99da6b987e1cac9f9a98e124aa7d3cc4, 2003.jpg?width=460&quality=85&auto=format&fit=max&s=287dfeae1f2e7fcb73aa6e13e2dbe998, 2003.jpg?width=700&quality=85&auto=format&fit=max&s=89a56dfb322b88b6109432cc3544c41a
The Guardian (South&CentralAsia)
Back on the piste – at 83 : Hilary Bradt and her ‘gang of oldies’ go skiing in Austria
18/10/2025
‘A 360 turn’ : concern as fashion shows feature fewer plus-size models
17/10/2025
Keeper review – a sparkling ecological fantasia of pure imagination
17/10/2025
Tell us your favourite TV romcom of all time
17/10/2025
‘Dreamy in a dirty martini’ : the best vodkas, tested
17/10/2025
Right hair, right now : top stylists on the products they use themselves – and ones to avoid
17/10/2025